Demolishing a Distorted Past

Conquerors like to remind the conquered of who is in charge. One way of doing so is by the construction of monuments, symbols of the new order — and by their permanence, of its permanence. The Soviets were no exception to this rule, distinguishing themselves only by the ugliness and, not infrequently, the gigantism of the works they fashioned. Not far enough from the center of the Latvian capital, Riga, there’s an archetypal example of this genre: overbearing, grandiloquent, and brutal. It dates from the later years of the Soviet occupation, a time when the Kremlin was using memories of the “Great Patriotic War” to bolster a regime struggling to deal with ideological failure, economic stagnation, and growing disaster in Afghanistan.

Read More

The imperfect spy

On one level, Lis Wiehl’s enthralling and grimly astonishing A Spy in Plain Sight is simply the story of Robert Hanssen, an FBI agent whose espionage activities were described by the Department of Justice as “possibly the worst intelligence disaster in US history,” a crowded field even at the time of his arrest in February 2001. “Over twenty-two years,” explained the DOJ in a 2002 report, Hanssen had “given the Soviet Union and Russia vast quantities of documents and computer diskettes filled with national security information of incalculable value.” And his betrayals had cost lives. Wiehl cites three (although there will have been more): each had been fingered as American agents by both Hanssen and Aldrich Ames, Hanssen’s predecessor as, in Wiehl’s description, “the most notorious spy in modern US history,” which gave the Soviets the corroboration they appear to have required.

Read More

Our Enemy’s Enemy

After Nazi Germany attacked the USSR, Winston Churchill had no qualms about entering into an alliance with Stalin, whose regime he understood all too well: “If Hitler invaded Hell, I would make at least a favorable reference to the Devil in the House of Commons.”

Similar thinking does much to explain the enlistment of former (and not so former) Nazis by the Western allies in intelligence work against the Soviets after 1945…

Read More

Cold War Cosmonaut

Readers of Stephen Walker’s fine new account of how Yuri Gagarin, a 27-year-old Soviet air-force major (he was promoted from lieutenant while circling the Earth), became the first man in space will discover quite a bit about Gagarin the man, but a great deal more about the program that put him into orbit 60 years ago, on April 12, 1961.

Vasco da Gama, Gagarin was not. For all his skill, toughness, unflappability and courage, he was no explorer. In a way, he was merely the most important of all the fauna that the Soviets shot into space. The first astronauts had relatively little control over their capsules; the first cosmonauts had far less.

Read More

Good Fences, Bad Neighbor

In the aftermath of Russia’s takeover of Crimea, there were widespread fears that the Baltic states, notwithstanding their membership in NATO, might be next. As Aliide Naylor relates in The Shadow in the East, those fears have since eased, but extreme vulnerability (Latvia, Lithuania, and Estonia could be overrun in days) and constant low- and not-so-low-level Russian aggression against the Baltic trio continue to keep nerves on edge.

Russia’s assault on Ukraine has forced NATO to relearn the power of symbolism. Several thousand troops from other NATO allies are now present in the Baltic states at any time, a reminder that the guarantee contained in Article 5 of the NATO treaty (an attack on one NATO country is to be treated as an attack on all) also extends to the alliance’s northeastern marches. Their numbers are tiny: no more, Naylor explains, than “a tripwire, unable to resist Russia’s military might in the event of a full-scale invasion — but thus far they have served as an effective deterrent.”

Read More

Confessions of a Revolutionary

Arthur Koestler’s “Darkness at Noon” was one of the most influential novels of the 20th century, and the 20th century would have been a better century had it been more influential still. Yet until now, the book could only be read at one remove, in editions based on a hasty English translation of a German text presumed lost in the confusion of wartime.

Read More

Bear with a sore head

Keir Giles: Moscow Rules - What Drives Russia to confront the west

Standpoint, March 28, 2019

Archangel, Russia, August 1996 © Andrew Stuttaford

Archangel, Russia, August 1996 © Andrew Stuttaford

The key message underlying Keir Giles’s trenchant, persuasive and alarming Moscow Rules is that the idea of Russia as a part of the European family is an illusion. In fewer than 200 pages he pulls that notion to pieces and then suggests what the West’s policy towards Moscow should look like if it is to be guided by reality rather than hopes or a pretty dream.

Giles, a senior consulting fellow at Chatham House, explains how Westerners are misled by geography (a portion of Russia is, after all, in Europe), language (Russians may use the same political terminology as their counterparts in the West, but they tend to mean very different things by it), and even appearance: “[T]he majority of [Russians] are outwardly indistinguishable from white members of the Euro-Atlantic community.” The misunderstanding may be deepened by, as Giles notes, the high visibility of a “Westernised” intelligentsia, whose views are not representative of the country as a whole. And there’s something else that I’d add to the pile of deceptive resemblances: The civilisations of both Russia and the West owe much to Christianity. Even the Soviet rejection of religion (based, in no small part, on the writings of a German, which is to say, a Western, philosopher) can be reread as another of the millenarian explosions that have long scarred European history. The distance between Anabaptist Münster and revolutionary Petrograd is not so very far.

The belief, against a great deal of evidence (a good selection of it neatly sketched out in this book), in the essential similarities between Russia and the West is helped, as Giles points out, from the way that “Western minds, especially liberal educated ones, rebel against national stereotypes. The taint of orientalism causes them to reject explanations for personal or national behaviours that are based on psychological constructs or worldviews that are specific to a given people or culture. The notion that a nation will behave in a given way because that is how it has always done is a hard sell in academic circles.”

But “the taint of orientalism” is not the only reason for Western reluctance to accept Russia for what it is. Elsewhere, Giles refers to the manner in which the West “and, in particular, Western Europe, [has] moved on to a postnationalist view of international relations”. That’s true enough, but the blandness of the wording (“moved on”) understates the extent to which this shift is based on a quasi-religious faith in “progress”, rather than any understanding of human nature or, beyond a cosy corner of Europe, how much of the world actually still works.

Russia’s perception of itself is, Giles maintains, “far from unique — plenty of nations have convinced themselves of their special destiny and birthright of leadership”. But, even if the West has now adopted a different interpretation of what that means, Russia has not (and, nor, I suspect, has, China, say, or India). Russia’s claim to great power status may be considerably less convincing than it was in Soviet or imperial times, but the West still needs to deal with its consequences, which can be summarised as a demand for “respect”. In this context that is a more loaded term, as Giles warns, than the English word implies. It conveys a sense that Russia should be feared too. Russia wants to be deferred to both globally (Barack Obama’s jibe that it was a “regional power” stung) and also with regard to its supposed right to control a sphere of influence in its neighbourhood.

And the way that Russia sees itself cannot, Giles argues, be wished away, or blamed on propaganda or, for that matter, on Vladimir Putin. Putin is “enacting, rather than inventing” long-term ambitions which resonate with “ordinary” Russians in a way that should not be underestimated (Giles is clearly not optimistic that Putin’s departure would mean a change for the better). “What has changed” and “dramatically” so is Russia’s “capability to achieve these ambitions”.

That’s not a comforting thought, given Russia’s resentment over the humiliations of the 1990s, its zero sum approach to international relations (something also well covered in this book), and, if necessary, its willingness to resort to violence. The best response, Giles asserts, is to accept that there are profound differences between Russia and the West that cannot be “reset” away, and then find a method to manage them. This will have to include defining “the boundaries of acceptable behaviour” and then policing them, a task that will require the West both to stick more closely together and to increase spending on the various varieties of hard power required to back up its stance.

With President Trump still prone to thinking aloud about Nato and too many European nations still unprepared to take their own defence seriously, that may be a tall order. Under the circumstances, sending a few copies of this book to Berlin and Washington DC would be a good plan.

Do Not Speak, Memory

Masha Gessen - Never Remember: Searching for Stalin's Gulags in Putin's Russia

The Wall Street Journal, March 16, 2018

Vagankovskoye Cemetery, Moscow, Russia,  March 1993 © Andrew Stuttaford

Vagankovskoye Cemetery, Moscow, Russia, March 1993 © Andrew Stuttaford

Imagine a Germany where the Third Reich’s monuments abound but memorials to the Holocaust are scarce. Hitler is venerated by millions and his dictatorship given a positive spin by an authoritarian state that never definitively broke with the Nazi past. Replace Germany with Russia, Hitler with Stalin, and the Third Reich with the Soviet Union and that is pretty much the situation that prevails in Russia today.

The unbroken connection to the Soviet era is key to understanding “Never Remember,” a short, haunting and beautifully written book by Masha Gessen, the Russian-American journalist who is one of Vladimir Putin’s most trenchant critics. About halfway through, Ms. Gessen tells how Irina Flige, an activist who spent decades trying to restore to public view memories of what occurred under communism, has concluded it is wrong to see the problem as forgetfulness because, as Ms. Gessen summarizes it, “forgetting presupposes remembering—and remembering had not happened . . .” In Ms. Flige’s words, “historical memory can exist only when there is a clear line separating the present from the past. . . . But we don’t have that break—there is no past, only a continuous present.” In contrast to Germany, there was no reckoning. There was no Soviet Nuremberg.

Ms. Gessen offers up various explanations for this, including the long duration of Communist rule and the ways in which the categories of victim and perpetrator overlapped. The trauma was something that Russians inflicted on one another. In a sense they still do. Ms. Gessen is evidently saddened and frustrated by the spectacle of a people—her people—wandering through a manufactured reality unbothered by, or oblivious to, the obscenities or incongruities that surround them. Some of the old regime’s statues were, in the false democratic dawn of the 1990s, defaced and toppled or—in the case of one statue of Stalin—dug up and exiled to a sculpture park of shame in central Moscow. Now, however, the statues stand in the same place proudly, cleaned up but unexplained, sharing space with a rare commemoration of the Soviet regime’s victims as well as statues of poets, writers, and—why not?—Adam and Eve.

The melancholy that saturates Ms. Gessen’s prose is reinforced by pages filled with Misha Friedman’s bleakly evocative photographs, images that convey unease, absence and loss. The huts and barracks of the Gulag, ramshackle to start with, and often designed to be temporary, have often just rotted away—“only the barbed wire remained,” Ms. Gessen writes. Other, sturdier structures survive, either ignored—one of Mr. Friedman’s photographs is of a ruined prison on the edge of a housing complex—or inaccessible, swallowed up in the vastness of Siberia. One camp—just one—not far from the Urals has been restored, a project begun, tellingly, on the private initiative of two local historians but now taken over by the state. While, as Ms. Gessen notes, it has not been turned into some defense of the Gulag, its message has been muffled, shrouded in a deceptive neutrality. Ms. Gessen herself is no neutral (she describes the “distinguishing characteristic of the Putin-era historiography of Soviet terror as . . . [saying] in effect, that it just happened, whatever”).

This is an angry book. Ms. Gessen makes her case with a series of vignettes ranging from the discovery of a mass grave in northwestern Russia to a trip to the region of Kolyma in the country’s far east. (“If the Gulag was anywhere, it was in Kolyma.”) The years of glasnost and Boris Yeltsin finally provided pitifully small scraps of comfort to the descendants of the disappeared—a photograph, a death certificate, something—yet the Gulag’s poison continues to seep through the generations. When Ms. Gessen visits Kolyma’s “capital” in 2017, all the people with whom she has contact are later visited by the FSB, the successor to the KGB.

The Red Broom

Anne Applebaum - Red Famine: Stalin’s War on Ukraine

National Review, November 27, 2017

GolodomorKharkiv.jpg

Nearly 40 years ago, I met the parents of a graduate-school friend. They were exiles, Ukrainians, a people said not to exist, not really. Their son had told them that I took an unfriendly interest in Soviet history, and that I knew a little about their lost homeland.

The father asked if I’d heard about a famine there in the early 1930s. I had: something to do with collectivization.

“There was more to it than that.”

In Red Famine, Anne Applebaum, a prominent journalist and the author of fine histories of the Gulag and the Soviet subjugation of Eastern Europe, recounts just how much more there was. Red Famine is powerfully written, extensively researched, and, frequently, painful reading. It tells of a meticulous annihilation that tore a nation away from its traditions, its language, its morality, its past, its future, its everything: “A woman whose six children died over three days in May 1933 lost her mind, stopped wearing clothes, unbraided her hair, and told everyone that the ‘red broom’ had taken her family away.”

Her life had unraveled, her culture had unraveled — there’s accidental symbolism in that unbraiding — and she unraveled. The land around her unraveled too: once a breadbasket, now a wasteland, a domain of the dead and those waiting to die, Muselmänner, as they were known in Auschwitz.

Neighbor was set against neighbor, cannibalism was far from rare (yes, you read that right).

By the time — it took less than a year — the red broom had completed its 1932–33 sweep (there were smaller sweeps before and after), roughly 3.9 million Ukrainians were dead: a decimation, and more. Countless others were deported, many to a Gulag that had plenty of demand for slave labor. Large numbers never returned.

Some of this came with collectivization, Stalin’s decision to impose larger collective or state-owned farming across the USSR. Even Walter Duranty, the New York Times’ Moscow correspondent and a reliable shill for the Soviet dictator, admitted that collectivization had been a “mess”; still, he said, while there had been casualties, “you can’t make an omelet without breaking eggs.” And quite often those casualties were not unwelcome to the regime. Communism, like the millenarian movements it succeeded, rested on the notion of a great sorting between sinners and saved. Collectivization could be used to weed out enterprising, more successful private farmers, the relentlessly demonized “kulaks” (a category regularly expanded to include peasants who owned, say, a cow or a pig more than their fellow villagers), who were too smart to be won over by deceptive promises of the bounty that Communism would bring to agriculture: They were another of the Soviet Union’s disposable classes, “former people” in the sinister and, all too often, prophetic terminology of that era.

In Ukraine, the noose was drawn far tighter than anywhere else — a fact still denied by today’s Kremlin and its apologists. The millions who starved to death there, like those who died in famines elsewhere in the USSR at that time, were, it is maintained, the victims of a reckless agricultural experiment, nothing more. Applebaum agrees that the “chaos of collectivization helped create the conditions that led to famine,” but rightly goes on to argue that neither chaos, nor the weather, nor crop failure can account for the death toll in Ukraine, and especially that terrible spike in the spring of 1933. For that, the better explanation is a series of measures enacted by the regime that can only have been intended to kill. There’s a reason this famine is known to Ukrainians as the “Holodomor,” a term, Applebaum explains, derived from the Ukrainian words for hunger and extermination.

Stalin, writes Applebaum, “launched a famine within the famine, . . . specifically targeted at Ukraine and Ukrainians.” It was not enough to hit the region’s faltering farms with grain-production targets they had no chance of meeting and then to requisition what they had managed to grow. Seed corn was often seized too, as were livestock, potatoes, and, eventually, just about anything else that someone might have hoped to eat. Houses were repeatedly ransacked in hunts for any hidden scraps. Cooking utensils (and other goods) might well be taken, too. Tight controls were imposed to restrict movement out of the countryside into hungry cities (which were often unable or unwilling to help in any case), let alone out of Ukraine. Exports of grain, however, continued. Millions in hard currency were worth more than millions of lives.

Traveling to find work elsewhere was out of the question. Farms and villages judged to have fallen particularly short of production quotas — no small number — were “blacklisted”: burdened with yet more restrictions, confiscations, and prohibitions, and denied credit, essential services, and the right to barter or trade. The peasants were trapped, cut off. Not to be starving was a sign of guilt, inviting another search.

Applebaum records how a Polish diplomat crossing the border from rural Ukraine into an adjacent Russian province in May 1933 was left with the impression that he had crossed into “Western Europe,” so great was the contrast. Ukraine had, quite clearly, been singled out.

And the reason for that was Stalin’s recognition that Ukrainians’ belief that they were a people distinct from their Russian neighbors was authentic and thus potentially dangerous. The confused period that followed the Bolshevik Revolution had seen two attempts to establish a separate Ukrainian state as well as a massive peasant uprising that had evolved into a war of all against all — and a serious threat to the nascent Soviet regime. When the Bolsheviks finally secured their hold over the country, they first played, by their dismal standards, nice. Ukrainians were led to believe that their Soviet Republic would, in a real sense, be Ukrainian and, often, run by Ukrainians.

That was never likely to be a solution acceptable to Stalin, that paradoxical Georgian enforcer of Russian imperial control, a man who knew a thing or two about nations — and how to break them. When, in 1925, Stalin declared that “the peasant question is the basis, the quintessence, of the national question,” it was Ukraine that was on his mind. If Ukraine was to become “a true fortress of the USSR, a truly model republic,” which Stalin had said that he wanted, the uncomfortably large, uncomfortably independent peasantry, the repository of so much of Ukrainian tradition and, in some sense, Ukraine’s soul, would have to be ground down.

But Ukraine would have to be decapitated, too. Applebaum details the silencing and, often, destruction of much of Ukraine’s intelligentsia, and the purge of a Ukrainian Communist Party with a membership too prone, the Kremlin suspected, to go its own way.

The Holodomor is properly understood only when it is understood as part of a broader, deeper assault on the Ukrainian national idea. Applebaum records how, even as “the famine was raging, . . . Stalin’s de facto spokesman in Ukraine forced through a decree eliminating Ukrainian textbooks as well as school lessons tailored to Ukrainian children” — another warning that Moscow had not finished with Ukraine. Taken as a whole, Stalin’s multifaceted onslaught on Ukrainians as a peoplewould (as Applebaum points out) “certainly” pass the test established for genocide by Raphael Lemkin, the legal scholar who coined the term. Indeed, Lemkin acknowledged as much. Whether it would meet the narrower definition of genocide set out in the U.N. Convention on Genocide is, Applebaum contends (perhaps too cautiously), a different matter, but, as she notes, that convention was heavily influenced by a Soviet Union that had no interest in being asked to answer for its crimes.

The final stage of genocide or ethnic cleansing — call it what you will — is usually the replacement of the old population with a new one. Russian peasants started to move into the emptied villages, the beginning of what Applebaum describes as a “slow-motion movement of Russians into a depopulated Ukraine” that was to last for decades, further blurring the idea of a Ukrainian Ukraine in a way that helped the Soviets then, and helps Vladimir Putin now.

The Holodomor was unmentionable in the Soviet Union until just before the USSR’s collapse. And shamefully, indifference in the West played a part in greasing its transformation from a topic that was forbidden into one that came close to being forgotten. Applebaum rightly highlights the role played in the original Soviet cover-up by Times man Duranty, not least the way he so effectively smothered the reporting of Gareth Jones, a Welsh journalist who stepped off a train at a place he wasn’t meant to, walked for three days through the hell the Holodomor was creating, and told the world what he had seen.

Memory can sometimes outlast efforts to repress it. When, in the late 1980s, it finally became possible to talk about the Holodomor in the USSR, the long-buried memories of those years played their part in paving the way to Ukrainian independence in 1991. This was perversely acknowledged by the “Russian-backed separatists” who (Applebaum relates) destroyed a Holodomor memorial in the occupied eastern Ukrainian town of Snizhne in 2015. It was a desecration that also echoed the Kremlin’s attempts to escape the consequences of the past by evasion and denial, a would-be rewriting of history that makes this compelling book all the more timely — and all the more necessary.

Proletarians, Painters and Propagandists

The Wall Street Journal, September 29, 2017

RedWedge.jpg

The poet Vladimir Kirillov vowed to ‘burn up Raphael for our Tomorrow’s sake’ but didn’t say what would come next. The Bolsheviks’ was a supremely didactic revolution, intended to produce a new kind of man. Artists were ready to help out. Even before the revolution, painters such as Kazimir Malevich had taken abstraction to new extremes, pursuing what he called the ‘zero of form’—a rejection of everything that had gone before and a timely anticipation, it might be thought, of the Bolshevik ‘year zero’ that lay just ahead.

‘Revolution: Russian Art 1917-1932’ (Royal Academy Publications, 320 pages, $65) is a beautifully illustrated account of art that followed upon, but was ultimately discarded by, the revolution. It closes with a 1932 exhibition commemorating the artists of the new order’s first 15 years, a swan song for an avant-garde rapidly being eclipsed by the inspiring banality of Socialist Realism.

While “Revolution” focuses on painting, the lavishly produced ‘Revoliutsiia! Demonstratsiia! Soviet Art Put to the Test’ (Art Institute of Chicago, 324 pages, $65)takes a broader approach with regard to types of artistic expression, documenting theater productions, posters, periodicals and other ephemera as well as painting, photography and design. The works are often of remarkable quality, raising uncomfortable questions about how we are to regard great art that was the accomplice of totalitarianism.

The earlier part of ‘Moscow Vanguard Art: 1922-1992’ (Yale, 278 pages, $55) highlights the debate between those who pushed art’s frontiers forward toward Utopia and those who believed that the masses needed something more easily understood. Stalin, no Utopian, took the latter side, to the delight of artists such as Evgeny Katsman: After a meeting in 1933 to discuss this controversy with the Soviet leader, Katsman rhapsodized in his diary over Stalin’s ‘sweet face’—a vision that only a Socialist Realist could see.